It is generally agreed amongst anthropologists and archaeologists that other than the human voice, the first musical instruments known to mankind were percussion instruments. After the discovery of the voice as a means of creating sound for aesthetic purposes, percussion certainly followed shortly after. Sticks, hands, feet and rocks were struck in order to create a rhythm to accompany singers and evolved into percussion instruments closer to the types used today. Along with the technologies of simple tools for agriculture and hunting came the developments of more sophisticated drums, with logs being shaped with tools to produce louder sounds and smaller logs being cut into a set of drums which produced different tones.
Percussion instruments became much more sophisticated after most of mankind settled into agrarian communities and people found themselves with more time on their hands. Percussion instruments became part of religious beliefs, communication devices and tools for creative expression. By 1000 AD and in some cases far earlier, seed rattles and other instruments were used in Micronesia and Australia, djembes and kalimbas in Africa, maracas and drums in the Americas and gongs, chimes and even xylophones in Asia.
Many of the percussion instruments were familiar with in the western world come from the Balkans, the Levant and elsewhere in the near east. European percussion instruments advanced with the import of drums and other instruments brought back by returning crusaders in the 11th to 13th centuries.
The function of percussion instruments within an orchestra or other musical ensemble varies depending on their design and size. Some instruments produce sounds which can carry melodic or harmonic roles, while others are strictly percussive in nature. Composers and arrangers usually assign the percussion and instruments in the lower register parts which make them work as a team to create a rhythmic basis for the composition.
In popular music, a rhythm section of bass and percussion is a staple of the form. While the majority of classical orchestral music is written with the primary role being given to stringed instruments, woodwinds and brass, tympanis also play a part in many compositions, largely as an accent. The rules have changed a little and listeners will find percussion claiming its share of the spotlight in some modern orchestral works.
In the 18th and 19th centuries, more percussion instruments (like the cymbals or triangles) came to being and frequently, again moderately and cautiously played in general. The massive uses of percussion instruments become more recurrent in the 20th century, on classical music.
Although not always the center of attention, percussion instruments are indispensible to almost every modern musical genre. Military and marching bands use percussion to provide the rhythm not only for the music being performed, but for the pace of marching soldiers. Jazz is in the minds of many synonymous with the sound of the ride cymbal, the brushed snare drum and the hi-hat " and its hard to imagine rock music in any style without percussion. From rhythm and blues to heavy metal, hip hop, country and other genres, percussion is the backbone of popular music.
Because of the mixture and wide assortments of percussive instruments, it is not unusual to find large musical gathering composed wholly of percussion. Rhythm, harmony and melody are all evident and alive in these musical factions, and in live performances they are quite a spectacle to see.
Percussion instruments became much more sophisticated after most of mankind settled into agrarian communities and people found themselves with more time on their hands. Percussion instruments became part of religious beliefs, communication devices and tools for creative expression. By 1000 AD and in some cases far earlier, seed rattles and other instruments were used in Micronesia and Australia, djembes and kalimbas in Africa, maracas and drums in the Americas and gongs, chimes and even xylophones in Asia.
Many of the percussion instruments were familiar with in the western world come from the Balkans, the Levant and elsewhere in the near east. European percussion instruments advanced with the import of drums and other instruments brought back by returning crusaders in the 11th to 13th centuries.
The function of percussion instruments within an orchestra or other musical ensemble varies depending on their design and size. Some instruments produce sounds which can carry melodic or harmonic roles, while others are strictly percussive in nature. Composers and arrangers usually assign the percussion and instruments in the lower register parts which make them work as a team to create a rhythmic basis for the composition.
In popular music, a rhythm section of bass and percussion is a staple of the form. While the majority of classical orchestral music is written with the primary role being given to stringed instruments, woodwinds and brass, tympanis also play a part in many compositions, largely as an accent. The rules have changed a little and listeners will find percussion claiming its share of the spotlight in some modern orchestral works.
In the 18th and 19th centuries, more percussion instruments (like the cymbals or triangles) came to being and frequently, again moderately and cautiously played in general. The massive uses of percussion instruments become more recurrent in the 20th century, on classical music.
Although not always the center of attention, percussion instruments are indispensible to almost every modern musical genre. Military and marching bands use percussion to provide the rhythm not only for the music being performed, but for the pace of marching soldiers. Jazz is in the minds of many synonymous with the sound of the ride cymbal, the brushed snare drum and the hi-hat " and its hard to imagine rock music in any style without percussion. From rhythm and blues to heavy metal, hip hop, country and other genres, percussion is the backbone of popular music.
Because of the mixture and wide assortments of percussive instruments, it is not unusual to find large musical gathering composed wholly of percussion. Rhythm, harmony and melody are all evident and alive in these musical factions, and in live performances they are quite a spectacle to see.
About the Author:
David Zed is an authoritative figure on percussion instruments for over twenty years.
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